![]() Learn more Coremelt LUTx Feature Looks Collection SpeedLooks are designed by industry professionals for cinematographers, editors and colorists to achieve the character and beauty of 35mm film, all with the click of a button. Our LOG and Linear SpeedLooks have been combined into one affordable package. Look creation for film and video has never been easier, more creative or flexible than with SPEEDLOOKS COMPLETE ![]() ![]() Set the mood with professional color grading tools. Professional Color Grade and Toning Filters … and Scopes to Stay Safe! Learn more Boris Continuum Unit: Color and Tone Note: Colorista is only available as part of the Magic Bullet Suite. No need to leave your host app to grade your footage. Professional Color Correction for Filmmakers.Ĭolorista IV puts streamlined professional color correction tools, directly on your editing timeline. Some tools you may like for color grading in Final Cut Pro X are: Red Giant Colorista Toolfarm has a wide variety from companies like Boris FX, NewBlueFX, Coremelt and many more. Prefer to use a third-party for Color Grading in FCPX or LUTs? Combine this with its already existing toolset and we just may have a game changer. These new features build on a list of others not mentioned in this article like native 360 video support and HDR content delivery. The newest version offers flexibility for any creator to work with the color effects they’re most comfortable with. One could argue that, except for on rare occasions, all the primary and secondary color corrections you would previously do in a third-party app, can now all be done in FCP X. The addition of the color grading features in 10.4 makes it even more exciting. Not too long ago I encouraged you that if you had previously given up on FCP X, now was the time to give it another look. He also talks about hue vs saturation curves, white balancing, custom LUTs and much more. Learn how to use the color board, color inspector, and make adjustments using color wheels. Nick Harauz walks you through the Color Grading in FCPX (10.4). KingTutsPro gives you some tips on working with the scopes and color wheels in Color Grading in Final Cut Pro X.įCPX 10.4’s Color Grading Tools Are a Game Changer Mark Spencer and Steve Martin talk about the new hue sampler in Final Cut Pro 10.4, specifically color masking vs. MacBreak Studio Ep 412: Awesome Hue Sampling in FCP X Mark Spencer and Steve Martin from Ripple Training give a nice overview of the tools for Color Grading in FCPX. FCPX 10.4 came with some hot new features for color grading, including the Color Inspector and Color Wheels, making color grading easier and more intuitive. Installing them is easy, using them is easy, and each plugin stills allows you to fine-tune/edit each animation. If you're a Final Cut Pro or Davinci Resolve user, I highly suggest giving MotionVFX plugins a try.One topic we haven’t covered much is Color Grading in FCPX, so it’s time to remedy that. Although they are a sponsor, I can honestly say they make the best plugins I've ever used for any video-editing software. The other thing I've been playing with in Final Cut has been more plugins by MotionVFX. After spending the day playing with it, I no longer feel that Final Cut is at a major disadvantage in this area. Although Premiere does have more color grading tools, Final Cut has the most important and standard tools. In the video above, I took a deep dive into color grading in Final Cut. How is this done in Final Cut Pro? What am I missing? Premiere lets you open multiple projects and/or multiple editing sequences simultaneously, and you can drag clips among them all. In many cases, I am editing hours of footage, and moving a two-second clip among four hours of footage by dragging it around a single timeline is a nightmare. At the moment, my biggest issue with Final Cut Pro is its inability to work on two or more sequences simultaneously.
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